Blends the spectra of two inputs so one timbre passes through the other rather than playing on top of it.
Inlets
Audio
4
Outlets
Audio
2
Per band the level is interpolated between source A and source B and the phase is taken from whichever contributes more there, then the result is resynthesised. In Stereo mode inlets 1 and 2 are A and 3 and 4 are B; in Mono mode inlet 1 is A and inlet 2 is B, so re-check the cords after switching Mode. An unconnected B turns Morph into a fade to silence. Sustained, harmonically rich sources morph best: cord a Substrate against a Sampler vocal and sweep Morph from an LFO or a Metapad.
Parameters
Morph
0 is pure A, 1 is pure B, and everything between is a spectral blend of the two.
A
Hold to cut straight to A wherever Morph sits; let go and the blend comes back. Map it to a pad for a spectral cut.
B
Hold to cut straight to B. Holding both lands halfway.
Recipe
Voice into pad
Cord a sung vowel from SoundIn to inlets 1 and 2 and a Substrate chord to inlets 3 and 4. Cord an LFO onto Morph with a period of eight bars so the voice turns into the pad and back. Keep both sources playing for the whole sweep.
